David Sylvian - When Loud Weather Buffeted Naoshima album download
Commissioned by the Fukutake Art Museum Foundation on the island of Naoshima, Japan, as part of the NAOSHIMA STANDARD 2 exhibition which ran from Oct 2006 to April 2007.
Complete your David Sylvian collection. It says David Sylvian on the cover but there's not much recognisable 'Sylvian' in this I'm afraid, even the recognisable guitar treatments found on other 'instrumentals' of his are few and far between. I'm not a fan of lonesome choirboy vocals (with or without treatments) and the weather was no more than a light breeze as far as I'm able to ascertain. I am extremely familiar with Sylvian's work and the Ambient style in general but I find this a little too 'incidental' and what colour/tone there is only reminds me of better work by him and.
The album consists of one long ambient instrumental track. Writing in The Guardian, John L. Walters described it as "possibly the most avant-garde product made by a pop musician since Metal Machine Music".
David Sylvian is a musical legend. His work spans every avenue music could possibly take through a lense influenced highly by ambient and avant-garde
Album When Loud Weather Buffeted Naoshima. When Loud Weather Buffeted Naoshima Lyrics. When Loud Weather Buffeted Naoshima" Track Info. When Loud Weather Buffeted Naoshima David Sylvian. 1. When Loud Weather Buffeted Naoshima.
But David Sylvian needn't worry about record company backlash: he is the record company. Yet "formless" is not quite correct. Everyday life, in its routine and randomness, has a sonic form that everyone recognises. Sylvian's piece gives it a frame that's both artful and artless
When Loud Weathe. efinitely sits in the box marked ‘left field’. Conceived as a work in progress to be completed by the external sounds of the actual Chichu Art Gallery, When Loud Weathe. s a collage of found sound, drones and contributions from a ensemble of big-hitters in the European avant fraternity including shakuhachi maestro, Clive Bell, guitarist Christian Fennesz and Norwegian trumpet/electronics genius, Arve Henriksen . This isn’t as such one of Sylvian’s major works, but it shows how far the man has come in recent years and how carefully and wisely he’s choosing his fellow travellers.
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