Ensemble Avantgarde / Beat Furrer - Roman Haubenstock-Ramati: Mobile for Shakespeare album download
Roman Haubenstock-Ramati is a European counterpart of the New York School having been born around the same time as John Cage (1919) and died near that time as well (1994). Interestingly, his "mobiles," of which there are several in his cannon, and this one dates from 1958, are strange amalgams of early-20th century systems and indeterminacy. Haubenstock-Ramati owes a great debt to his fellow Polish countryman Witold Lutoslawski for the schematic of dynamic and drama in a given composition and to Gyorgy Ligeti for his unusual use of both spoken and sung voices.
Composed By – Roman Haubenstock-Ramati. Ensemble – Ensemble Avantgarde, Leipziger Streichquartett (tracks: 2 to 7). Graphics – fuhrer vienna. Liner Notes – Peter Niklas Wilson. Credentials Or Think, Think, Lucky" & "Mobile For Shakespeare" composed 1960. 2. Streichquartett" composed 1977. Recording: March 24-27, 1998, at Sender Freies Berlin.
Mobile For Shakespeare Roman Haubenstock-Ramati. Listen on Apple Music. Mobile For Shakespeare (1960). Ensemble Avantgarde & Beat Furrer. Ensemble Avantgarde & Leipziger Streichquartett.
Roman Haubenstock-Ramati. Mobile for Shakespeare. Ensemble Avantgarde, Beat Furrer.
Performers: - Ensemble Avantgarde - Leipziger Streichquartett. 1. credentials or think think lucky. 8.
Mobile For Shakespeare. Ensemble Avantgarde, Leipziger Streichquartett, Beat Furrer. Release Date: 1st Jan 1999. Catalogue No: HATNOWART118. Roman Haubenstock-Ramati. Haubenstock-Ramati: Streichquartett (1977). Leipziger Streichquartett.
Roman Haubenstock-Ramati was a Polish composer based in Vienna. He was considered one of the most prominent artists- alongside with Fiedrich Cerha and György Ligeti - working in Austria in the second half of the 20th century. Haubenstock-Ramati employed various kinds of mobile form in his subsequent works, such as Multiple, where the variability is limited to the cast. Gradually, the composer’s scores were filled with more and more g raphic elements, up until the point when the visual aspect as such became a crucial element of the work. Graphic scores were a synthesis of music and painting.
|1||Credential or Think, Think Lucy Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer||12:58|
|String quartet No 2 "In Memoriam Christl Zimmel"|
|2||Streichquartett I Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||4:31|
|3||Streichquartett II Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||1:40|
|4||Streichquartett III Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||3:19|
|5||Streichquartett IV Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||2:58|
|6||Streichquartett V Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||3:47|
|7||Streichquartett VI Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Leipziger Streichquartett||5:32|
|8||Mobile for Shakespeare Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer||12:54|
|9||Liaisons, for percussion Roman Haubenstock-Ramati||Ensemble Avantgarde / Beat Furrer feat: Stefan Stopora||8:15|
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