Tod Machover - Tod Machover: Hyperstring Trilogy album download
By subjecting acoustic instruments to computer manipulation, Tod Machover has opened his timbral resources to limitless possibilities, yet he still retains the drama of live performance in his hybrid pieces. To demonstrate the versatility of his hyperstring techniques, Machover has created a trilogy of works that grows in complexity in proportion to its increased forces, and his fertile musical imagination expands with each piece. But Machover's soloists draw the listener into the music's emotional center and maintain a sense of humanity in the welter of electronic colors.
Machover: Hyperstring Trilogy. 21 tracks · 3 April 2006.
Tod Machover's goal is to put music into the hands of people who want to play it - or at least imagine it. He and his team at MIT helped to create Guitar Hero, and one of his latest projects helps people with disabilities write and perform music. Tod Machover, with a demonstration of his Hyperscore software. MIT Media Lab. Machover's Music.
Tod Machover (born November 24, 1953 in Mount Vernon, New York), is a composer and an innovator in the application of technology in music. He is the son of Wilma Machover, a pianist and Carl Machover, a computer scientist. He attended the University of California at Santa Cruz in 1971 and received a BM and MM from the Juilliard School in New York where he studied with Elliott Carter and Roger Sessions (1973–1978).
The Hyperstring Trilogy has been recognized as one of Tod Machover's most important works. The three pieces are written for hyperinstruments, specially designed musical instruments enhanced and expanded using technology, invented by Machover and his team at the Media Lab in 1986. Begin Again Again for Hypercello, the first of the works that comprise the Hyperstring Trilogy, was written for Yo-Yo Ma and was premiered at the Tanglewood Festival in 1991. Kim Kashkashian and the Los Angeles Philharmonic premiered Song of Penance for Hyperviola and Chamber Orchestra in 1992
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|Begin Again Again..., for solo hypercello|
|1||Intro||Tod Machover feat: Matt Haimovitz||1:28|
|2||Delicate and Varied||Tod Machover feat: Matt Haimovitz||2:22|
|3||Energetic||Tod Machover feat: Matt Haimovitz||2:51|
|4||Emphatic - Warm and Singing||Tod Machover feat: Matt Haimovitz||2:42|
|5||Very Rapid and Precise||Tod Machover feat: Matt Haimovitz||1:17|
|6||Timbre Dream||Tod Machover feat: Matt Haimovitz||2:29|
|7||Lyrical and Intimate||Tod Machover feat: Matt Haimovitz||0:49|
|8||Fluttering - Interior||Tod Machover feat: Matt Haimovitz||2:23|
|9||Growing - Majestic||Tod Machover feat: Matt Haimovitz||0:57|
|10||Broad - Intense||Tod Machover feat: Matt Haimovitz||1:07|
|11||Coda: Powerful and Steady||Tod Machover feat: Matt Haimovitz||2:34|
|Song of Penance, for hyperviola, computer voice & 17 Instruments|
|12||Intense||Tod Machover feat: Kim Kashkashian||1:15|
|13||Reflective||Tod Machover feat: Kim Kashkashian||7:53|
|14||Resolute||Tod Machover feat: Kim Kashkashian||3:15|
|15||Buoyant||Tod Machover feat: Kim Kashkashian||2:12|
|16||Coda: Full and Sweet||Tod Machover feat: Kim Kashkashian||1:43|
|Forever And Ever, for hyperviolin & chamber orchestra|
|18||1. Gently Flowing||Tod Machover||9:39|
|19||2. Calm||Tod Machover||4:31|
|20||3. Jaunty and Light||Tod Machover||9:05|
|21||Coda: Joyous||Tod Machover||3:09|
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